John Updike

Eliana Orosco Mrs. King Composition II 8 action 2013 A& ampP John Updike was a prolific writer of novels, short stories, essays, poems, and childrens tale. In the early stories such as A&P John Updike uses memories from his childhood and teenage years. For the sort of smaller scenes and stories for which he quickly became famous for (Updike 233). Updike uses the elements of setting, mood, and characters to illustrate the theme of a contumacious generation in the short fiction story A&P.The setting of the A&P takes place in a small town north of Boston around 1960. Sammy of necessity a sympathetic listener (or reader), someone who will grasp the core he is constructing for himself as he puts his actions into narrative order. Collapsing past and present in rapid yet reflective colloquial speech, Sammy tells how three teenage girls, barefoot, in bathing suits, came into the A & P store to make a purchase. As they move through the aisles, Sammy, from his work station, fi rst ogles them and then idealizes the prettiest and nigh confident of the three.He names her, to himself, Queenie and though he jokes with his fellow cashier ab reveal(predicate) the girls sexiness, he is quietly disgusted by the providedchers frankly lustful compliments as the girls search for what they want to buy. Worse is his managers puritanical rebuke for their edge attire as Queenie pays Sammy for her purchase. Outraged that his manager, Lengel, has made that pretty girl bloom and wanting to demonstrate his refusal of such demeaning authority, Sammy quits his job on the spot.Though the girls leave without recognizing their hero, and though his manager tries to dissuade him from disappointing his parents, Sammy feels that once you range a communicate, its fatal not to go through with it (196). He acts decisively, but the girls have disappeared from the parking lot by the time he exits the store. In practical terms, Sammys action has gained him nothing and cost him eve ry(prenominal)thing, but his narrative affirms his gesture as a liberating form of dissent, (M.Gilbert Porter discusses Sammys dissent as Emersonian nonconformance Porter 1155-58. ) Sammy does not see how he could have done otherwise, though he finds himself at odds with the only society he knows, reliable that the world will be hard to me, hereafter (Updike 238). The time of year in the story illustrates the old generation versus a new generation. The storyteller states that the way the young ladies were dressed isnt normally how they dress in the AP a very respectable supermarket.Sammy notices everyones demeanor towards the girls while they walk the aisles like when he says, The sheep thrust their carts down the aisle-the girls were walk against traffic (not that we have one-way signs or anything) were pretty hilarious. You could see them, when Queenies white shoulders dawned on them, resistant of jerk, or hop, or hiccup, but their eyeball snapped bear out to their own bask ets and on they pushed (Updike 235).Another way the regular guests were so blow out of the water how Queenie and her friends were dressed they had to take a second glare at them, A few house slaves in pin curlers even looked around pushing their carts past to make sure what they had seen was correct. (Updike 235). The mood of the story is informal/ refractory that it illustrates that the AP is an uptight supermarket and everything has to be done the right way. ilk for example when Sammy rings an item up twice and he gets chewed out by one of the customers, I ring it up again and the customer starts giving me hell.She is one of those cash-register-watchers, a witch about fifty with paint on her cheekbones and no eyebrows, and I know it made her day to wind up me up (Updike 234). Mr. Lengel the manager at the AP was the first to nurture to Queenie and her friends that their attire was not acceptable in the supermarket by saying, Girls, this isnt the beach. Girls, I dont want to argue with you. After this come in here with your shoulders covered. Its our policy (Updike 237). The characters in the short story illustrates the unlike rebellious moments in the story.Like for example, when Queenie shows the reader she doesnt care what people hark back about her or has to say when she enters the supermarket with a two piece bikini, go to the AP with your straps down, I suppose its the only kind of face you can have. She held her head so high her neck, advance up out of those white shoulders, looked kind of stretched (Updike 235). When Sammy tells Mr. Lengel, You didnt have to embarrass them (Updike 238). With Mr. Lengel replying to him, It was they who ill-chosen us (238).Then Sammy quits by pulling the bow at the back of the apron and start shrugging it off his shoulders. When Sammy quits his job is also a rebellious moment because he quits to show the girls he stands up for them but when he does there is no one to thank him for his marvellous moment. Samm y finally realizes that the world will be hard to me, hereafter (Updike 238) for the finish he had made for sticking up for people he in truth didnt know. What I learned while reading the story is that with every decision there is consequences.Speaking up for someone may not continuously be the wrong or right thing to do. When you want to blab your own mind and defend someone you should be ready for the consequences coming after. Work Cited John Updike AP. slurred Literature Reading, Reacting, Writing Ed. Laurie G. Kirszner and Stephen R. Mendall. Compact 8th ed. Boston Wadsworth, 2013. 234-38. Print. Saldivar, Toni. The Art of John Updikes A & P. Studies in Short Fiction 34. 2 (1997) 215. Literature Resource Center. Web. 7 Mar. 2013.